Previous | Table Of Contents | Next

Engraved 1804-1809


The stolen and perverted writings of Homer and Ovid, of Plato and Cicero, which all men ought to contemn, are set up by artifice against the Sublime of the Bible; but when the New Age is at leisure to pronounce, all will be set right, and those grand works of the more ancient, and consciously and professedly Inspired men will hold their proper rank, and the Daughters of Memory shall become the Daughters of Inspiration. Shakespeare and Milton were both curb'd by the general malady and infection from the silly Greek and Latin slaves of the sword.

Rouse up, O Young Men of the New Age! Set your foreheads against the ignorant hirelings! For we have hirelings in the Camp, the Court, and the University, who would, if they could, for ever depress mental, and prolong corporeal war. Painters! on you I call. Sculptors! Architects! suffer not the fashionable fools to depress your powers by the prices they pretend to give for contemptible works, or the expensive advertising boasts that they make of such works: believe Christ and His Apostles that there is a class of men whose whole delight is in destroying. We do not want either Greek or Roman models if we are but just and true to our own Imaginations, those Worlds of Eternity in which we shall live for ever, in Jesus our Lord.

And did those feet in ancient time
Walk upon England's mountains green?
And was the holy Lamb of God
On England's pleasant pastures seen?

And did the Countenance Divine
Shine forth upon our clouded hills?
And was Jerusalem builded here
Among these dark Satanic Mills?

Bring me my bow of burning gold!
Bring me my arrows of desire!
Bring me my spear! O clouds, unfold!
Bring me my chariot of fire!

I will not cease from mental fight,
Nor shall my sword sleep in my hand,
Till we have built Jerusalem
In England's green and pleasant land.

Would to God that all the Lord's people were Prophets

Numbers xi: 29

The Invocation

Daughters of Beulah! Muses who inspire the Poet's Song,
Record the journey of immortal Milton thro' your realms
Of terror and mild moony lustre, in soft Sexual delusions
Of varièd beauty, to delight the wanderer, and repose
His burning thirst and freezing hunger! Come into my hand,
By your mild power descending down the nerves of my right arm
From out the portals of my Brain, where by your ministry
The Eternal Great Humanity Divine planted His Paradise,
And in it caus'd the Spectres of the Dead to take sweet form
In likeness of Himself. Tell also of the False Tongue, vegetated
Beneath your land of Shadows, of its sacrifices and
Its offerings; even till Jesus, the image of the Invisible God,
Became its prey; a curse, an offering, and an atonement
For Death Eternal, in the Heavens of Albion, and before the Gates
Of Jerusalem his Emanation, in the Heavens beneath Beulah!

The Mills of Satan

And the Mills of Satan were separated into a moony Space
Among the rocks of Albion's Temples, and Satan's Druid Sons
Offer the Human Victims throughout all the Earth; and Albion's
Dread Tom 1000 b, immortal on his Rock, overshadow'd the whole Earth,
Where Satan, making to himself Laws from his own identity,
Compell'd others to serve him in moral gratitude and submission,
Being call'd God, setting himself above all that is callèd God.
And all the Spectres of the Dead, calling themselves Sons of God,
In his Synagogues worship Satan under the Unutterable Name.

The Sin of Leutha

The Sin was begun in Eternity, and will not rest to Eternity,
Till two Eternities meet together. Ah! lost! lost! lost for ever!

Milton's Journey to Eternal Death

Then Milton rose up from the Heavens of Albion ardorous:
The whole Assembly wept prophetic, seeing in Milton's face
And in his lineaments divine the shades of Death and Ulro;
He took off the robe of the Promise, and ungirded himself from the oath of God.

And Milton said: `I go to Eternal Death! The Nations still
Follow after the detestable Gods of Priam, in pomp
Of warlike Selfhood, contradicting and blaspheming.
When will the Resurrection come to deliver the sleeping body
From corruptibility? O when, Lord Jesus! wilt Thou come?
Tarry no longer, for my soul lies at the gates of death.
I will arise and look forth for the morning of the grave;
I will go down to the sepulchre to see if morning breaks;
I will go down to self-annihilation and Eternal Death;
Lest the Last Judgement come and find me unannihilate,
And I be seiz'd and giv'n into the hands of my own Selfhood.
The Lamb of God is seen thro' mists and shadows, hov'ring
Over the sepulchres, in clouds of Jehovah and winds of Elohim,
A disk of blood, distant; and Heav'ns and Earths roll dark between.
What do I here before the Judgement without my Emanation,
With the Daughters of Memory, and not with the Daughters of Inspiration?
I, in my Selfhood, am that Satan! I am that Evil One!
He is my Spectre! In my obedience to loose him from my Hells,
To claim the Hells, my Furnaces, I go to Eternal Death.'

And Milton said: `I go to Eternal Death!' Eternity shudder'd;
For he took the outside course, among the graves of the dead,
A mournful Shade. Eternity shudder'd at the image of Eternal Death.

Then on the verge of Beulah he beheld his own Shadow,
A mournful form, double, hermaphroditic, male and female
In one wonderful body, and he enter'd into it
In direful pain; for the dread Shadow, twenty-seven-fold,
Reach'd to the depths of direst Hell, and thence to Albion's land,
Which is this Earth of Vegetation on which now I write.

The Nature of Infinity

The nature of Infinity is this: That every thing has its
Own Vortex; and when once a traveller thro' Eternity
Has pass'd that Vortex, he perceives it roll backward behind
His path, into a Globe itself enfolding, like a sun,
Or like a moon, or like a universe of starry majesty,
While he keeps onwards in his wondrous journey on the Earth,
Or like a human form, a friend with whom he liv'd benevolent.
As the eye of man views both the East and West, encompassing
Its vortex, and the North and South with all their starry host,
Also the rising sun and setting moon he views, surrounding
His corn-fields and his valleys of five hundred acres square.
Thus is the Earth one infinite plane, and not as apparent
To the weak traveller confin'd beneath the moony shade.
Thus is the Heaven a Vortex pass'd already, and the Earth
A Vortex not yet pass'd by the traveller thro' Eternity.

The Sea of Time and Space

First Milton saw Albion upon the Rock of Ages,
Deadly pale, outstretch'd, and snowy cold, storm-cover'd --
A Giant form of perfect beauty, outstretch'd on the Rock
In solemn death: the Sea of Time and Space thunder'd aloud
Against the Rock, which was enwrappèd with the weeds of Death.
Hovering over the cold bosom in its vortex, Milton bent down
To the bosom of Death: what was underneath soon seem'd above,
A cloudy heaven mingled with stormy seas in loudest ruin;
But as a wintry globe descends precipitant, thro' Beulah bursting,
With thunders loud and terrible, so Milton's Shadow fell
Precipitant, loud thund'ring, into the Sea of Time and Space.

The Mundane Shell

The Mundane Shell is a vast Concave Earth, an immense
Harden'd Shadow of all things upon our Vegetated Earth,
Enlarg'd into Dimension and deform'd into indefinite Space,
In Twenty-seven Heavens and all their Hells, with Chaos
And Ancient Night and Purgatory. It is a cavernous Earth
Of labyrinthine intricacy, twenty-seven folds of Opaqueness,
And finishes where the lark mounts.

A River in Eden

There is in Eden a sweet River of milk and liquid pearl
Nam'd Ololon, on whose mild banks dwelt those who Milton drove
Down into Ulro; and they wept in long-resounding song
For seven days of Eternity, and the River's living banks,
The mountains wail'd, and every plant that grew, in solemn sighs, lamented.


I am that Shadowy Prophet, who, six thousand years ago,
Fell from my station in the Eternal bosom. Six thousand years
Are finish'd. I return! Both Time and Space obey my will.
I in six thousand years walk up and down; for not one moment
Of Time is lost, nor one event of Space unpermanent;
But all remain; every fabric of six thousand years
Remains permanent: tho' on the Earth, where Satan
Fell and was cut off, all things vanish and are seen no more,
They vanish not from me and mine; we guard them first and last.
The Generations of Men run on in the tide of Time,
But leave their destin'd lineaments permanent for ever and ever.


O Swedenborg! strongest of men, the Samson shorn by the Churches;
Showing the Transgressors in Hell, the proud Warriors in Heaven,
Heaven as a Punisher, and Hell as One under Punishment;
With Laws from Plato and his Greeks to renew the Trojan Gods
In Albion, and to deny the value of the Saviour's blood.

Whitefield and Wesley

He sent his two Servants, Whitefield and Wesley: were they Prophets,
Or were they Idiots or Madmen? -- Show us Miracles!
Can you have greater Miracles than these? Men who devote
Their life's whole comfort to entire scorn and injury and death?
Awake! thou sleeper on the Rock of Eternity, Albion, awake!
The trumpet of Judgement hath twice sounded: all Nations are awake,
But thou art still heavy and dull. Awake, Albion, awake!

The Forge of Los

In Bowlahoola Los's Anvils stand and his Furnaces rage;
Thundering the Hammers beat, and the Bellows blow loud,
Living, self-moving, mourning, lamenting, and howling incessantly
Bowlahoola t 1000 hro' all its porches feels, tho' too fast founded,
Its pillars and porticoes to tremble at the force
Of mortal or immortal arm; and softly lilling flutes,
Accordant with the horrid labours, make sweet melody
The Bellows are the Animal Lungs, the Hammers the Animal Heart,
The Furnaces the Stomach for digestion; terrible their fury!
Thousands and thousands labour, thousands play on instruments,
Stringèd or fluted, to ameliorate the sorrows of slavery.
Loud sport the dancers in the Dance of Death, rejoicing in carnage.
The hard dentant Hammers are lull'd by the flutes' lula lula,
The bellowing Furnaces' blare by the long-sounding clarion,
The double drum drowns howls and groans, the shrill fife shrieks and cries,
The crooked horn mellows the hoarse raving serpent -- terrible but harmonious.

The Wine-Press of Los

But the Wine-press of Los is eastward of Golgonooza, before the Seat
Of Satan: Luvah laid the foundation, and Urizen finish'd it in howling woe.
How red the Sons and Daughters of Luvah! here they tread the grapes,
Laughing and shouting, drunk with odours; many fall, o'erwearièd;
Drown'd in the wine is many a youth and maiden: those around
Lay them on skins of tigers and of the spotted leopard and the wild ass,
Till they revive; or bury them in cool grots, making lamentation.

This Wine-press is call'd War on Earth: it is the Printing-Press
Of Los; and here he lays his words in order above the mortal brain,
As cogs are form'd in a wheel to turn the cogs of the adverse wheel.

Timbrels and violins sport round the Wine-presses; the little Seed,
The sportive Root, the Earth-worm, the Gold-beetle, the wise Emmet
Dance round the Wine-presses of Luvah; the Centipede is there,
The Ground-spider with many eyes, the Mole clothèd in velvet,
The ambitious Spider in his sullen web, the lucky Golden-spinner,
The Earwig arm'd, the tender Maggot, emblem of immortality,
The Flea, Louse, Bug, the Tape-worm; all the Armies of Disease,
Visible or invisible to the slothful, Vegetating Man;
The slow Slug, the Grasshopper, that sings and laughs and drinks --
Winter comes: he folds his slender bones without a murmur.

The cruel Scorpion is there, the Gnat, Wasp, Hornet, and the Honey-bee,
The Toad and venomous Newt, the Serpent cloth'd in gems and gold:
They throw off their gorgeous raiment: they rejoice with loud jubilee,
Around the Wine-presses of Luvah, naked and drunk with wine.

There is the Nettle that stings with soft down, and there
The indignant Thistle, whose bitterness is bred in his milk,
Who feeds on contempt of his neighbour; there all the idle Weeds,
That creep around the obscure places, show their various limbs
Naked in all their beauty, dancing round the Wine-presses.

But in the Wine-presses the Human grapes sing not nor dance!
They howl and writhe in shoals of torment, in fierce flames consuming,
In chains of iron and in dungeons, circled with ceaseless fires,

In pits and dens and shades of death, in shapes of torment and woe --
The plates, and screws, and racks, and saws, and cords, and fires and cisterns,
The cruel joys of Luvah's Daughters, lacerating with knives
And whips their Victims, and the deadly sport of Luvah's Sons.

They dance around the dying, and they drink the howl and groan;
They catch the shrieks in cups of gold, they hand them to one another:
These are the sports of love, and these the sweet delights of amorous play,
Tears of the grape, the death-sweat of the cluster, the last sigh
Of the mild youth who listens to the luring songs of Luvah.

The Building of Time

But others of the Sons of Los build Moments and Minutes and Hours,
And Days and Months and Years, and Ages and Periods: wondrous buildings!
And every Moment has a Couch of gold for soft repose --
A Moment equals a pulsation of the artery --
And between every two Moments stands a Daughter of Beulah,
To feed the Sleepers on their Couches with maternal care.
And every Minute has an azure Tent with silken Veils;
And every Hour has a bright golden Gate carvèd with skill;
And every Day and Night has Walls of brass and Gates of adamant,
Shining like precious stones, and ornamented with appropriate signs;
And every Month a silver-pavèd Terrace, builded high;
And every Year invulnerable Barriers with high Towers;
And every Age is moated deep with Bridges of silver and gold;
And every Seven Ages is encircled with a Flaming Fire.
Now Seven Ages is amounting to Two Hundred Years:
Each has its Guard, each Moment, Minute, Hour, Day, Month and Year;
All are the work of Fairy hands of the Four Elements:
The Guard are Angels of Providence on duty evermore.
Every Time less than a pulsation of the artery
Is equal in its period and value to Six Thousand Years;
For in this Period the Poet's Work is done; and all the great
Events of Time start forth and are conceiv'd in such a Period,
Within a Moment, a Pulsation of the Artery.

The Birds and the Flowers

Thou hearest the Nightingale begin the Song of Spring:
The Lark, sitting upon his earthy bed, just as the morn
Appears, listens silent; then, springing from the waving corn-field, loud
He leads the Choir of Day -- trill! trill! trill! trill!
Mounting upon the wings of light into the great Expanse,
Re-echoing against the lovely blue and shining heavenly Shell;
His little throat labours with inspiration; every feather
On throat and breast and wings vibrates with the effluence Divine
All Nature listens silent to him, and the awful Sun
Stands still upon the mountain looking on this little Bird
With eyes of soft humility and wonder, love and awe.
Then loud from their green covert all the Birds begin their song:
The Thrush, the Linnet and the Goldfinch, Robin and the Wren
Awake the Sun from his sweet revery upon the mountain:
The Nightingale again assays his song, and thro' the day
And thro' the night warbles luxuriant; every Bird of song
Attending his loud harmony with admiration and love.
This is a Vision of the lamentation of Beulah over Ololon.

Thou perceivest the Flowers put forth their precious Odours;
And none can tell how from so small a centre comes such sweet,
Forgetting that within that centre Eternity expands
Its ever-during doors, that Og and Anak 1000 fiercely guard.
First, ere the morning breaks, joy opens in the flowery bosoms,
Joy even to tears, which the Sun rising dries: first the Wild Thyme
And Meadow-sweet, downy and soft, waving among the reeds,
Light springing on the air, lead the sweet dance; they wake
The Honeysuckle sleeping on the oak; the flaunting beauty
Revels along upon the wind; the White-thorn, lovely May,
Opens her many lovely eyes; listening the Rose still sleeps --
None dare to wake her; soon she bursts her crimson-curtain'd bed
And comes forth in the majesty of beauty. Every Flower,
The Pink, the Jessamine, the Wallflower, the Carnation.
The Jonquil, the mild Lily opes her heavens; every Tree
And Flower and Herb soon fill the air with an innumerable dance,
Yet all in order sweet and lovely. Men are sick with love!
Such is a Vision of the lamentation of Beulah over Ololon.

Love and Jealousy

And the Divine Voice was heard in the Songs of Beulah, saying:
`When I first married you, I gave you all my whole soul;
I thought that you would love my loves and joy in my delights,
Seeking for pleasures in my pleasures, O Daughter of Babylon!
Then thou wast lovely, mild, and gentle; now thou art terrible
In Jealousy and unlovely in my sight, because thou hast cruelly
Cut off my loves in fury, till I have no Love left for thee.
Thy Love depends on him thou lovest, and on his dear loves
Depend thy pleasures, which thou hast cut off by Jealousy:
Therefore I show my Jealousy, and set before you Death.
Behold Milton, descended to redeem the Female Shade
From Death Eternal! such your lot to be continually redeem'd
By Death and misery of those you love, and by Annihilation.
When the Sixfold Female perceives that Milton annihilates
Himself, that seeing all his loves by her cut off, he leaves
Her also, entirely abstracting himself from Female loves,
She shall relent in fear of death; she shall begin to give
Her maidens to her husband, delighting in his delight.
And then, and then alone, begins the happy Female joy,
As it is done in Beulah; and thou, O Virgin Babylon! Mother of Whoredoms,
Shalt bring Jerusalem in thine arms in the night watches; and
No longer turning her a wandering Harlot in the streets,
Shalt give her into the arms of God, your Lord and Husband.'
Such are the Songs of Beulah, in the Lamentations of Ololon.

Reason and Imagination

The Negation is the Spectre, the Reasoning Power in Man:
This is a false Body, an Incrustation over my Immortal
Spirit, a Selfhood which must be put off and annihilated alway.
To cleanse the Face of my Spirit by self-examination,
To bathe in the waters of Life, to wash off the Not Human,
I come in Self-annihilation and the grandeur of Inspiration;
To cast off Rational Demonstration by Faith in the Saviour,
To cast off the rotten rags of Memory by Inspiration,
To cast off Bacon, Locke, and Newton from Albion's covering,
To take off his filthy garments and clothe him with Imagination;
To cast aside from Poetry all that is not Inspiration,
That it no longer shall dare to mock with the aspersion of Madness
Cast on the Inspirèd by the tame high finisher of paltry Blots
Indefinite or paltry Rhymes, or paltry Harmonies,
Who creeps into State Government like a caterpillar to destroy;
To cast off the idiot Questioner, who is always questioning,
But never capable of answering; who sits with a sly grin
Silent plotting when to question, like a thief in a cave;
Who publishes Doubt and calls it Knowledge; whose Science is Despair,
Whose pretence to knowledge is Envy, whose whole Science is
To destroy the wisdom of ages, to gratify ravenous 9d0 Envy
That rages round him like a Wolf, day and night, without rest.
He smiles with condescension; he talks of Benevolence and Virtue,
And those who act with Benevolence and Virtue they murder time on time.
These are the destroyers of Jerusalem! these are the murderers
Of Jesus! who deny the Faith and mock at Eternal Life,
Who pretend to Poetry that they may destroy Imagination
By imitation of Nature's Images drawn from Remembrance.
These are the Sexual Garments, the Abomination of Desolation,
Hiding the Human Lineaments, as with an Ark and Curtains
Which Jesus rent, and now shall wholly purge away with Fire,
Till Generation is swallow'd up in Regeneration.

The Song of the Shadowy Female

My Garments shall be woven of sighs and heart-broken lamentations:
The misery of unhappy Families shall be drawn out into its border,
Wrought with the needle, with dire sufferings, poverty, pain, and woe,
Along the rocky Island and thence throughout the whole Earth.
There shall be the sick Father and his starving Family; there
The Prisoner in the stone Dungeon, and the Slave at the Mill.
I will have writings written all over it in Human words,
That every Infant that is born upon the Earth shall read
And get by rote, as a hard task of a life of sixty years.
I will have Kings inwoven upon it, and Counsellors and Mighty Men:
The Famine shall clasp it together with buckles and clasps,
And the Pestilence shall be its fringe, and the War its girdle;
To divide into Rahab and Tirzah, that Milton may come to our tents.
For I will put on the Human Form, and take the Image of God,
Even Pity and Humanity; but my clothing shall be Cruelty.
And I will put on Holiness as a breastplate and as a helmet.
And all my ornaments shall be of the gold of broken hearts,
And the precious stones of anxiety and care, and desperation and death,
And repentance for sin, and sorrow, and punishment and fear;
To defend me from thy terrors, O Orc! my only belovèd!

Previous | Table Of Contents | Next